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Earl christianity and vizualization trinity of Got
Činátl, Jiří ; Lukeš, Jiří (advisor) ; Kučera, Zdeněk (referee)
Pacovská 350/4 140 21 Praha 4 Tel. +420 222 539 203 e-mail: studijni@htf.cuni.cz Vyslovení neplatnosti součásti státní zkoušky "obhajoba diplomové práce", na základě stanoviska přezkumné komise, že obhájená práce není původní a jde o plagiát. Po provedených řízeních vydal rektor Univerzity Karlovy rozhodnutí č. j. UKRUK/10207/2018-4, že součást státní zkoušky, obhajoba diplomové práce s názvem "Rané křesťanství a jeho zobrazení trojjediného boha" konaná dne 26. 9. 2017, je neplatná. Dnem, kdy rozhodnutí nabylo účinnosti, pozbyl účastník řízení vysokoškolského vzdělání získaného studiem daného studijního oboru a akademického titulu magistr. Dále pozbyly platnosti vysokoškolský diplom a dodatek k diplomu. Declaration of the invalidity of the section of the state examination "thesis defence" based on the review committee's opinion that the defended work is not original and constitutes plagiarism. Following the proceedings, the Rector of Charles University issued a decision, ref. no. UKRUK/10207/2018-4, stating that a section of the state examination, defence of the thesis entitled "Earl christianity and vizualization trinity of Got" held on 26 September 2017, is invalid. On the day the decision became effective, the participant in the proceedings surrendered their higher education degree obtained by studying...
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The sarcophagus of Tomaš Špidlík in Velehrad in the wider spiritual and artistic context of Centro Aletti in Rome.
Šefernová, Marie ; Royt, Jan (advisor) ; Oulíková, Petra (referee)
This thesis deals with the modern sarcophagus designed for cardinal Tomáš Špidlík SJ (1919- 2010), located in the basilica of the Assumption of the Blessed Virgin Mary and Saints Cyril and Methodius in Velehrad. The sarcophagus was created in the Atelier of Liturgical art of Centro Aletti in Rome in 2010. The main target of the thesis is to put in the creation and emplacement of the masterpiece into the wider spiritual and artistic context. In order to introduce the Centro Aletti's liturgical art, it is important to focus on Špidlik's thoughts about art on theological background. His theological direction and spiritual guidance were a resource for a painter and jesuit Marko Ivan Rupnik (*1954) and Špidlik's disciple and the head of Centro Aletti in Rome. A significant part of the work is focused on the emplacement of the sarcophagus in the basilica of Velehrad, famous for the cult of saints Cyril and Methodius. The main part of the thesis deals with the formal analysis and iconographic interpretation of the topics depicted on the sides of the sarcophagus from a methodological point of view. This also applies to other attached pieces of art as the bronze inscription on the lid by the sculptor Otmar Oliva (*1952) and the panel with Špidlik's motto, which is to be found behind the sarcophagus....
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Molecular cytogenetic analysis of marker chromosomes and related abnormalities
Semanko, Adam ; Kočárek, Eduard (advisor) ; Holá, Dana (referee)
The primary focus of this diploma thesis is on marker chromosomes and phenotypically similar human karyotype polymorphisms, variants of short acrocentric arms in particular. The first half provides a very useful review of literature concerning different aspects of both sSMC and human polymorphisms such as their origin, inheritance, associated phenotype, formation and molecular cytogenetic methods that are applied in the process of identification of these aberrations. The methodical emphasis is on FISH and its modifications (e.g. M-FISH, acro M FISH, cen M-FISH) as well as on the CGH methods. The main objective was to test the above-mentioned methods and state their limitations and applications. Thus, in the other half we provide evaluations of commonly used methods and introduce new strategies that could be implemented to make the identification of these additional chromosomes or satellite translocations more effective. All the conclusions are based on the analysis of 7 patients with sSMC and 4 patients with variants involving acrocentric NOR regions. The results of our thorough research into their karyotypes have been compared with similar findings in the literature. Last but not least, we tried to establish a link between observed abnormalities and the type of a chromosomal aberration at hand.
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Technological Development of the Mosaic Craft
Höferová, Jana ; Ottová, Michaela (advisor) ; Kubík, Viktor (referee)
Mosaic has peculiar status in art across thousands of years. Since antiquility when mosaic governed entire Mediterranean, it stood to be an active art expression till nowadays, even despite it's demandigness and costingness - not only abroad but also at our territory. So it went through the period of decrement and "degradation" of it's own technique due to increasing favour of painting in the Renaissance and lived to see it's follow-up boom in 19th century. The thesis marks geografical expansion inlay art from it's roots till the modern age and it's influence on the technique developement. Historical part is more extensive because it has not been documented more detailed so far, which it definately is worthy to be. Thanks to Viktor Foester, the inlay art was reset at the beggining of the 20th century when he and two Italian workers founded a mosaic fitting-room. The fitting-room followed a trend of establishing inlay fitting-room in other states of Europe apart from Italy on the beggining of 18th century. Although the fitting-room died out after Foester's wife death, it gave chance to the origin of Czech mosaic art which persists till nowadays. The second part describes changes in technology of this antique craft across centuries. Technology developement with accent on technical changes in work progress and...
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RAKO, Jano Koehler and the way of the cross on Svatý Hostýn
Vacková, Veronika ; Czumalo, Vladimír (advisor) ; Šmied, Miroslav (referee)
The bachelor thesis will focus on the way of the cross on Svatý Hostýn made by RAKO company and designed by Jano Koehler. The author will present a mosaic art in general, the RAKO company and its influence on Czech art culture and Jano Koehler's personality and work. In the core part of thesis, the author will carry out with technological, formal and iconographic analysis of the individual stations of the way of the cross. Another works made in a ceramic mosaic created within a time before or after Svaty Hostyn cycle will be included in next chapters. Furthermore, the author will deal with the problematic of historical preservation and the previous experience with restoration works made up to now. An attachment of visuals will be a part of thesis. Key words Way of the cross, Svatý Hostýn, Jano Koehler, RAKO, Emil Sommerschuh, mosaic, ceramic, catholic modern art
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Earl christianity and vizualization trinity of Got
Činátl, Jiří ; Lukeš, Jiří (advisor) ; Kučera, Zdeněk (referee)
Though the trinitarian iconography is fairly easy to understand, it remains with many of the 4th and 5th century works it is unclear and difficult to explain. In the literature of the last century, we often encounter ideas that have been absorbed in older works and subsequently only mechanically repeated in subsequent works. Such a way of interpreting can lead to controversial iconographic analyzes in order to focus in a trinitarian way and to attempt in a tricky way to explain the iconography of "non-trivial" artefacts. This diploma thesis attempts to open a difficult question of the origin, development and interaction of individual types of symbols representing the Trinity. The aim of this work is to mark the effort of a complex view, which will try, especially with similar motives and symbols, to lead to a more precise interpretation and classification within the framework of trinitarian iconography. The main aim of this diploma thesis is the effort of theological, artistic, historical and philosophical grasp of the issue of the image of God in the first millennium of the Christian faith. Due to the vastness and considerable lack of clarity of this topic, the work is conceived with a focus on the first millennium of Christianity. Many examples of depictions and symbolic references to the Triune...
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Motives and technologies of Gallic and North African mosaics
Ozaňáková, Patrícia ; Musil, Jiří (advisor) ; Ondřejová, Iva (referee)
In my work I want to raise the question of difference between Gallic and North African mosaics. I want to point out that although they born in Italy, developed, each in a different direction. I intend to find out what mosaicists brought into the repertoire and which, in turn, copied. For some religious motifs want to prove not only their stylistic evolution but a shift in thinking and understanding the deity, who is closely linked with its depiction. This work is dealing with the most common motives of Gallic and North African mosaics and its interpretation. The work is divided into three chapters. The first is handling with technologies connected with mosaics. Second chapter is largest. It offers repertoary of North African mosaics. It divides the most common motives into: religion and mytological motives, huntig scenes and the amphitheatre. The end of the second chapter offers conclusions in this topic. Third chapter is dealing with motives of Gallic mosaics. It is dealed with particular examples of mosaics from context of villa suburbana and liking for luxury and mytological scenes. It is delaing with workshops and craftsmen in Gallia. Fourth chapter is dealing with the situation in Hispania and Sicilia. Conclusion offers the comparison of the Gallic and North African mosaics based on motives.
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Technological Development of the Mosaic Craft
Höferová, Jana ; Ottová, Michaela (advisor) ; Kubík, Viktor (referee)
Mosaic has peculiar status in art across thousands of years. Since antiquility when mosaic governed entire Mediterranean, it stood to be an active art expression till nowadays, even despite it's demandigness and costingness - not only abroad but also at our territory. So it went through the period of decrement and "degradation" of it's own technique due to increasing favour of painting in the Renaissance and lived to see it's follow-up boom in 19th century. The thesis marks geografical expansion inlay art from it's roots till the modern age and it's influence on the technique developement. Historical part is more extensive because it has not been documented more detailed so far, which it definately is worthy to be. Thanks to Viktor Foester, the inlay art was reset at the beggining of the 20th century when he and two Italian workers founded a mosaic fitting-room. The fitting-room followed a trend of establishing inlay fitting-room in other states of Europe apart from Italy on the beggining of 18th century. Although the fitting-room died out after Foester's wife death, it gave chance to the origin of Czech mosaic art which persists till nowadays. The second part describes changes in technology of this antique craft across centuries. Technology developement with accent on technical changes in work progress and...
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